Archive for May, 2008

facebook and gender conventions in English

Tuesday, May 20th, 2008

Have you noticed the use of ‘their’ as a gender neutral ‘his’ and ‘her’ in language? This is the kind of thing I can remember doing in 6th grade when avoiding gender specificity of the person in question to avoid being teased about associating with a girl. I’ve just noticed recently that Facebook does this as a rule when referring to people.

Jane Kelly added “Harold and Maude” to their favorite movies

I can see a number of practical reasons from a computing standpoint. This saves having to hunt in a database somewhere in facebook to see what gender is tied to a name and then put the corresponding his or her, so there’s your practical reason. I think though it points to a more widespread use of ‘their’ as genderless and pointing to an increased need for such a thing or a preference to referring to people without highlighting their gender, though what motivates that is another thing entirely. I’ve found this short history of the use of the single their there, no, I mean, here. It’s an interesting little linguistic resurgence, another mark that we’re slowly and steadily emerging from the repressed and oppressive gender conventions of the Victorian era and afterward.

right now, not thirsty

Tuesday, May 20th, 2008

I’m not thirsty right now, but that’s probably because I drank something like 5 liters of fluids in the last 24 hours. Ever since my kidney surgery a couple of years back I’ve drank a lot more fluids, it’s nice to have organs that are working at what I think is now full capacity, before the surgery my left kidney was working at something like 40% or 60%.

mp3blogging | Anti-Records Week: Part II

Wednesday, May 14th, 2008

Billy Bragg – I Keep Faith
Track 1
Mr. Love & Justice


Ultimately a decent song that I like but am not crazy about. I have also only heard Bragg in his Wilco collaborations in setting music to Woody Guthrie lyrics so I have no gague for this album or this song as far as quality relating to the rest of his catalog. Friday’s Anti- Records submission will be a lot less Woody Guthrie tinged.

blod new plan!

Tuesday, May 13th, 2008

I think I’m going to start putting corrections where I’m too laze [sic] to correct them myself.  This is easier than figuring out how to spell the words correctly or type any slower.

mp3blogging | Anti-Records Week: Part I

Monday, May 12th, 2008


Tom Waits Down There By The Train
Disc 2, Track 17
Orphans: Brawlers, Bawlers & Bastards [2006]


So I think I’ll make this mp3 blogging thing something of a regular feature here on my website, a M-W-F type thing, posted about 12 noon.

Orphans is a dead end kid driving a coffin with big tires across the Ohio River wearing welding goggles and a wife beater with a lit firecracker in his ear.” – Tom Waits

I love this song, this album and Tom Waits generally. This song was, I think, written originally by Waits and recorded by Johnny Cash but then Waits didn’t release his version until after Cash. Odd. There’s just so much classis Waits in here, it’s a story of all the classic scum from history, going to their salvation, being forgiven their sins and their wrongs:

And there’s room for the forsaken if you’re there on time
You’ll be washed of all your sins and all of your crimes

Down there by the train

Down there where the train
goes slow
There’s a golden moon that shines up through the mist
And I know that your name will be on that list
There’s no eye for an eye, there’s no tooth for a tooth
I saw Judas Iscariot carrying John Wilkes Booth

One also thinks of Woody Guthrie, you can’t mention a slow moving train and people getting on it without thinking freight Trains, and you can’t combine American Music and freight Trains without Woodie Guthrie. Like how you can’t have disco without the bee gees, except people still listen to Woody Guthrie and he’s an icon.

Who doesn’t like Tom Waits, really? I’ll tell you: no one with taste or an appreciation of astounding musical talent. I wrote an entire linguistics paper on Waits. I should really post that, if anyone’s interested in reading it, It’ll be people on the Internet. I can embed little sound clips of the passages I quote too. It’ll be great.

MOAR clapping

Friday, May 9th, 2008

Foreign Born Union Hall
On The Wing Now [2007]

I saw these guys open for St. Vincent [a show I've meant to write up] at the MIddle East here in Boston a few months back. Their live show is first and foremost of wall of guitar ala Sonic Youth via a single awesomely wielded 12 string. This doesn’t come out on the album but I think both St. Vincent and Foreign Born melded from the Indie-Pop on their records to awesome Post-Rock I can’t adequately describe. This track though has a big bit of Arcade Fire’s Funeral in it I think, with the claps, the big bass drum, the atmospheric backing vocals and the lyrics about losing a thing to the death of childhood. There’s lots of interesting things both here and in the record as a whole with rhythm. I seem to be fixated on hand claps recently and here they seem to squeeze into places you weren’t expecting them. People with music theory knowledge might say they’re on 1/2 beats or something. Probably one of the last physical CDs I’ll buy, I hope. I’m tired of the media.

speaking of clapping…

Thursday, May 8th, 2008


Apparat Useless Information
Track 4
Walls [2007]

I love clapping in a song almost as much as I love percussion with brushes. This song makes you wait for it, you think it’s coming and then it dangles in front of you. The little thunderclap-like crushes and the big reverberating claps make this song for me, they’re the distinguishing features over the main beat and the synths.  I love this whole album, it’s electronica at it’s best: catchy, varried, stirring, interesting.  This is thinking person’s electronica.  How it took me thing long to hear this record I’m not sure but I’m glad I finally did.  One of my first eMusic purchases too.